Ludovica's Experience

In my previous role, I managed music coordination and supervision across international territories, coordinating teams of 40+ people while balancing operational quality with client relationships and budget ownership. This taught me how to scale operations strategically, I was the main music manager for the Paris Olympic and Paralympic Games 2024. I’ve consistently applied deep music research expertise first identifying emerging trends to inform licensing decisions, and now through @AMARA.BSIDE, where I’ve built a structured methodology to uncover underrepresented artists outside mainstream coverage. Growing an engaged community of 400+ followers in less than a month and a half demonstrates my ability to translate research into compelling content and industry credibility. The thread connecting these roles is my commitment to understanding the music landscape deeply and translating that knowledge into actionable strategy that serves multiple stakeholders.